before the … Usually woven by men and women, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as women's wrappers, called iro and head tie, called gele. It is the focus of the present study. Apart from these, there is ifun or fu, a combination of light brown and navy blue woven cloth common to the Owo16 and Ondo peoples. When it is dry enough to stand on its own, take out the support and leave it to dry thoroughly. 3 déc. If you love good food, you are in for the ride of your life. 5. Aso Oke is hand woven made by the Yoruba and typically sewn together to make a local clothing. Ojo (1966:87) inform that weaving as a domestics industry flourished throughout Yorubaland. Click here for instructions on how to enable JavaScript in your browser. Aso oke also forms part of the ensemble of the Yoruba egungun, which has a lengthy train that sweeps the earth as the masquerade performs. home-business-making of ekwa-ochan, aso oke, orja, mufflers. ( Log Out /  inmates to serve minimal jail term in community service. The life of the Moon is more pleasant than that of the Sun. Hunters’ garments (imopa ode), farmers’ wear and even school uniforms21 were also made from aso-oke. Roll out fondant the height of each tier and make horizontal ridges on the bottom part of them using a ruler and an embosser. "Aso Oke is not an everyday wear," said Saliu. Make another sheet of aso oke using the process above and cascade this from the side of the cake to the front. Even if the cloth is worn, it remains valuable. To make the aso oke topper: i. It is the traditional wear of the Yoruba’s (the tribe of the southwest people in Nigeria, Africa). Change ), You are commenting using your Facebook account. This figure, judging from the proficiency of the male weavers in Iseyin, their devotion to the craft and the apparent boom in the trade in woven cloth, must have increased over the years. The aso oke in the Ogunsheye Collection, spanning over fifty years (1950-2000), affords the art-historian a glimpse of some of the changes, innovations and explorations that have taken place over time in the production of Yoruba aso-oke. I have a post here on how to stencil cakes. Do not iron your aso oke. Kijipa was the quintessential workman’s garment in Yorubaland and was ideal for the have-nots because of its durability and hard wearing quality, hence the Yoruba tagged it akogi-ma-ya (meaning ‘that which is not easily torn’). A similar type but having two triangles appears in Picton and Mack 1989: 77-79. To design the cake, drape both tiers with fondant. This is with a view to contributing to ongoing efforts at documenting the old and the new varieties, for the purpose of not only highlighting the transformations in the production and use of aso-oke but also for promoting cultural awareness through education. The exhibition is the result of a two year creative research foray for Owolabi, a Lagos-based multimedia artist who sought with the exhibition to spotlight the textile making tradition of the Yorubas. Use a wheel embosser to stitch the edges of the ivory fondant to the green fondant. The women make iro (wrap-around skirts) and buba20 and gele (head-scarves), as well as ipele. This development engendered the production of aso oke in an array of colours, a tradition that became pronounced with the introduction of lurex as an alternative to cottons warp in the late 1970s (see OGF 60.1, 2 and 17) . Talk about Aso Oke, talk about Aso Ebi. ( Log Out /  Both men and women are engaged in the craft  but in Iseyin men are the prolific weavers who shun farming to produce cloth and according to Dodwell (1955), manufacture around ane million yards of cloth a year10. The ideas here involve styles for women, men, couples, families, gatherings and groups. Aso-oke varies with design and with quality. Etu for royalty, high chiefs and the members of the Ondo elite is a status symbol.