He sent Fitzhagen a short score (this is similar to an arrangement for the piano). 33 This page lists all sheet music of Variations on a Rococo Theme, Op. Op.33. I know the work was revised by the composer at some point and a few of the variations were reordered, but the section starts off with the flugelhorn version which is a different (and more trivial) adaptation. The piece is composed of a theme and eight variations (seven in Fitzenhagen's version), making up roughly 20 minutes of music. The main theme is an original theme by Tchaikovsky, not a theme that had been composed by someone else in the 18th century. The Variations on a Rococo Theme reference the 18th Century — especially Mozart, whom Tchaikovsky adored. Function: view, File: /home/ah0ejbmyowku/public_html/index.php This would effectively kill the piece. Nikolai Rubinstein was the conductor. ... Var. This was perhaps the only hearing of the Variations as Tchaikovsky wrote the piece, until 1941, when it was played in Moscow without Fitzenhagen's by-then-standard emendations. Function: require_once. It is one of the most popular pieces of music for cello and orchestra. Are you sure you want to cancel your membership with us? Cellists who have recorded Tchaikovsky's original version have included Sviatoslav Knushevitsky, Alexander Rudin, Istvan Vardai, Steven Isserlis, Raphael Wallfisch, Johannes Moser, Julian Lloyd Webber, Pieter Wispelwey and Jiří Bárta. Var. The utility of this form became apparent for what he now set out to accomplish. Fitzenhagen gave the premiere in Moscow on November 30, 1877, with Nikolai Rubinstein conducting. 6. Line: 208 Tchaikovsky Pyotr Ilyich Variations on a Rococo Theme Op 33 For Cello and Piano by Leonard Rose. In 2009, Catalin Rotaru played the Variations on a Rococo Theme in a transcription for the double bass for a radio orchestra in Bucharest, Romania. [4] "More importantly," Steinberg adds, "he dropped one entire variation and reshuffled the order of the others. From Variations on a Rococo Theme. B introduction, theme, 7 variations: Moderato assai quasi Andante Thema. 19, No. We cannot tell. The beautiful cello melodies are set perfectly for the young string orchestra. Like Tchaikovsky, he was a professor at the Moscow Conservatory. Variations on a Rococo Theme. 1. Let it stand as it is! Good God! '"[10], The Variations were played in Fitzenhagen's order until the Russian cellist Victor Kubatsky started researching the piece for himself. One device which helps Tchaikovsky greatly in this regard is a codetta attached to the end of the theme, to which is attached in turn a quasi-cadential or linking extension. Tchaikovsky was very cross, but he decided to let the publishers print it like that anyway. Maxim Rysanov plays it on the viola. Talk:Variations on a Rococo Theme. 33, were dedicated to the cellist Karl Friedrich Wilhelm Fitzenhagen, who premiered this masterpiece in Moscow in 1877. Book. When I asked what action he was going to take concerning this composition, Pyotr Ilyich replied: 'The Devil take it! 1; Variations On A Rococo Theme at Amazon.com. Line: 479 ( N. Rubinstein). He even mixed the codetta material with the theme itself in the Andante grazioso variation (No. You played splendidly," and regarding your piece he observed: 'Now there, at last, is real music! 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. VII e Coda. 33 by Piotr Ilyich Tchaikovsky (1840-93). It was not until about 70 years later that people realized that Tchaikovsky’s original version had been different. Andante (35 bars) Var. The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky was a great admirer of the Classical style. Function: view, File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php A neater and easier solution was, in each variation, to retain the melodic outlines and harmonic support outlined in his initial theme. Variation on a rococo them, opus 33 / Peter Tchaikovsky (15:52) --Cello concerto in A minor, op. Tchaikovsky never composed a cello concerto, but he did write this work, which is a tune with a set of variations. The third variation, Andante sostenuto, in the key of C major, is a waltz; the Rococo theme is artfully dislocated, altering the metrical position of the cadences; in this new guise it assumes the character of a Russian folk song. When the music was about to be published, Tchaikovsky saw what Fitzhagen had done. [2], As music critic Michael Steinberg points out, "Fitzenhagen intervened considerably in shaping what he considered 'his' piece. Meanwhile, Tchaikovsky got on with the job of orchestrating the music (showing exactly what is played by each instrument). The work is occasionally played by other solo instruments. VII. Line: 192 and orch. Line: 24 Tchaikovsky never composed a cello concerto, but he did write this work, which is a tune with a set of variations. 7 e Coda. From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=Variations_on_a_Rococo_Theme&oldid=6176548, Creative Commons Attribution/Share-Alike License. 2015 Preview SONG TIME Concerto Ballata, Op. The first two, which are marked Tempo del tema, are ornamental and elegant in style. Tempo della Thema (24 bars) Var. Work for vc. Variations on a Rococo Theme for Cello and Orchestra, op. The rococo theme itself is a simple one and if it tips its hat to the eighteenth century -- and Tchaikovsky's musical idol, Mozart-- it is thoroughly Tchaikovskyian and utterly Romantic. VIII e Coda. This, in turn, necessitated further cuts and splices. Maybe he let it be printed because he realized that Fitzhagen had improved it. Fitzenhagen gave the first performance of the work in Moscow on 30 November 1877. The piece, which is about 20 minutes long, consists of a theme and seven variations (eight in Tchaikovsky's original version). Listen to the a medley of Tchaikovsky’s Rococo Variations, Var. Variations on a Rococo Theme for Cello and Orchestra, op. Allegro moderato — Cadenza (50 bars) Var. Read honest and unbiased product reviews from our users. The piece is written for an orchestra which is smaller than Tchaikovsky’s usual Romantic orchestral. In a traditional concerto format, structural complexities and dramatic issues that would have clashed with the 18th-century detachment and finesse could not have been avoided. However, no two variations assemble their constituent phrases in the same manner, nor build to the same proportions. Price: $8.99 FREE Shipping on your first order. The piece is scored for a reduced orchestra consisting of pairs of each of the four basic woodwind instruments, two horns and the usual strings, like the typical late 18th-century orchestra without trumpets or percussion. 33: Moderato quasi andante (standard Fitzenhagen version) 2. However, the Theme is not Rococo in origin, but actually an original theme in the Rococo style. Variations on a Rococo Theme TCHAIKOVSKY (Artist) Format: Audio CD. Line: 68 Fitzenhagen and the Rococo Variations. He was a German cellist who lived in Russia. Mozart and the mature Josef Haydn, but Tchaikovsky’s version is distinctly Mozartian in character. Piotr Ilitch Tchaikovsky (1840-1893) Variations on a Rococo Theme, Op. He left one of the variations out, and changed the order of some of the others. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Tchaikovsky wrote this piece for and with the help of Wilhelm Fitzenhagen, a German cellist and fellow-professor at the Moscow Conservatory. for Ger. 33, was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. The Variations on a Rococo Theme, Op. in Moscow Nov. 1877 with pf. He wanted to prepare the work so that it could be published. 33: Variation I. Tempo della Thema By Pyotr Ilyich Tchaikovsky Jan Vogler, Frankfurt Radio Symphony & Andrés Orozco-Estrada 4 However, Fitzhagen did not only make changes to the solo cello part. Variations on a Rococo Theme, Op. However, the Theme is not Rococo in origin, but actually an original theme in the Rococo style. I: Tempo della Thema. Function: view, "Bibliography (1958/14) - Tchaikovsky Research", International Music Score Library Project, Festival Overture on the Danish National Anthem, International Tchaikovsky Competition for Young Musicians, https://en.wikipedia.org/w/index.php?title=Variations_on_a_Rococo_Theme&oldid=1003525869. by Tchaikovsky. cellist Wilhelm Fitzenhagen (1848–90), a colleague at Moscow Cons., who gave f.p. There are just two of each woodwind instrument, two horns, and strings. In 2000, trumpeter Sergei Nakariakov played a version of Variations on a Rococo Theme in a transcription for the flugelhorn. accomp. Allegro vivo in this medley. 33 - Variation III : Andante sostenuto Stéphane Tétreault, cello Fabien Gabel, conductor Orchestre symphonique de Québec Tchaikovsky scholar Dr. David Brown points out that, in the composer's original order, the first five variations show "a progressive expansion and evolution of the theme's structure ... the sixth briefly recalling the original phrases of the theme before the seventh, C major variation, new in meter and key," reveals "a vast melodic sweep," providing "the real peak of the piece," after which the final variation (the one Fitzenhagen eventually jettisoned) would guide listeners back toward the point where the piece had started. Fitzenhagen did not hesitate to jettison this variation and then tack the final 32 bars of the piece onto the Allegro vivace.[8]. By subjecting the manuscript to X-ray experiments, he discovered that Tchaikovsky's text had been inked over. When I asked: "What's the matter with you?" Look what he's done with my composition — everything's been changed!' The style was inspired by Mozart , Tchaikovsky's role model , and makes it clear that Tchaikovsky admired the Classical style very much. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. He asked Fitzhagen to make any necessary changes to the cello part. 33 (TH 57) does not claim to be exhaustive, but the following information is given, where known: Names of solo performers, with their instruments or stage roles given in parentheses. 20:43 PREVIEW Chant du menestrel, Op. 33, por violonĉelo kaj orkestro estis la plej proksima Pjotr Iljiĉ Ĉajkovskij iam venis al skribado de plena konĉerto por violonĉelo kaj orkestro. There are seven variations in all. Moderato assai quasi Andante - Thema: Moderato semplice. The potential problem with this approach could be a lack of variety between variations. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php History This list of recordings of Tchaikovsky's Variations on a Rococo Theme, Op. Find helpful customer reviews and review ratings for Piano Concerto No. As a result of this discovery, the original version was finally published and has since been recorded. Andante grazioso (58 bars) Var. When it was published there was nothing in the score which said that Fitzhagen had made lots of changes. Each of the seven variations is skillfully crafted and none sounds contrived or forced -- always a potential trap in this form. This page was last changed on 28 June 2018, at 01:09. — Pyotr Ilyich, pointing to the writing desk, said: 'Fitzenhagen's been here. Tchaikovsky Variations on a Theme Rococo Cello & Piano PIANO PART ONLY AS IS by Tchaikovsky and a great selection of related books, art and collectibles available now at AbeBooks.com. The soloist is also challenged by mostly having to play in the high register using the thumb position. The first variation is very graceful. Tchaikovsky Variations on a Rococo theme Op.33 ( Original version ) - Áron Petrus Bölöni〔Vc〕、András Deák〔指揮〕、Danube Sinfonic Orchestraによる原典版の演奏。当該独奏者自身の公 … Bob Phillips. The theme is Tchaikovsky’s own invention, and it has little relation to the ornate Rococo style that emerged in France under Louis XIV, a movement that produced … Moderato semplice (standard Fitzenhagen version) 3. I pleased so greatly that I was recalled three times, and after the Andante variation (D minor) there was stormy applause. 33 / Camille Saint-Saëns (18:44). 1876 as introduction, theme, and 8 vars. La Variations on a Rococo Theme, Observejo. File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php 4 in Fitzenhagen's arrangement, No. By Peter Ilyich Tchaikovsky / arr. 6. Showing 1 - 10 of 25 results Tchaikovsky had rarely been attracted to the variation form before, except for an eloquent piece for piano solo in F major, Op. Variations on a Rococo Theme is a piece of music for cello and orchestra composed by Pyotr Ilyich Tchaikovsky. 5. The Variations on a Rococo Theme, Op. [8] He exchanged it with Tchaikovsky's slow penultimate variation, the one in 3/4 time in C major. He wants to 'cello' it up and claims you gave him permission. It is one of the most popular pieces of music for cello and orchestra. Fitzenhagen gave the first performance of Tchaikovsky's Variations on a Rococo Theme, which was dedicated to him, on 30 November 1877.The composer had already allowed his soloist a great deal of freedom in modifying the solo part, but Fitzenhagen chose additionally to alter the sequence of variations, possibly for the opportunity of soloistic display. 3. In the autograph score the majority of the solo part is actually in Fitzenhagen's hand and the cellist apparently exercised the role of reviser vigorously enough to lead Jurgenson to protest to Tchaikovsky, "Horrible Fitzenhagen insists on changing your cello piece. Structure of the work. Variations on a Rococo Theme for Cello and Orchestra, Op. 8. Fitzenhagen’s role in the compositional process has frequently been discussed by musicologists and performance practice specialists. By Alexander Glazunov. He made other changes as well. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. Line: 478 33 / Saint Saëns. There is barely a phrase within each variation whose relationship with its progenitor is not explicit. Browse: Tchaikovsky - Variations on a Rococo Theme, Op. [2] One of Fitzenhagen's students, Anatoliy Brandukov, described an incident eleven years later: “On one of my visits to Pyotr Ilyich [in 1889] I found him very upset, looking as though he was ill. Cello concerto in A minor, op. 4. II: Tempo della Thema. Liszt said to me: 'You carried me away! Tchaïkovski revu et corrigé par Fitzenhagen! Movements and Duration. This title VI. You can return the item for any reason in new and unused condition: no shipping charges 'Tchaikovsky: Excerpt: Variation 4; Andante - Cello and Orchestra. Tchaikovsky himself had not been at the first performance because he was in Switzerland trying to calm himself down after a very short, disastrous marriage. Historians suggest that ‘rococo’ music belongs to the period prior to that of W.A. 108. He played it at the Last Night of the Proms in 2010. It is hard to tell which one Tchaikovsky would have preferred. However, the eighth and final variation was extremely similar to the Allegro vivace. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php Allegro vivo (76 bars) The Allegro vivace variation which now followed the D minor contrasted very effectively. String Orchestra Conductor Score & Parts. Tempo della Thema (33 bars) Var. Andante sostenuto (70 bars) Var. Nevertheless, in one of his occasional fits of insecurity about his work, especially when it came to form, Tchaikovsky allowed the changes to stand. Some cellists, such as Steven Isserlis, now choose to play Tchaikovsky’s original version. Line: 315 Musicians still argue about which version ought to be played. While the theme upon which the composition is based is Tchaikovsky's own, the graceful contours that make up the first half of this theme show clearly which style period Tchaikovsky had in mind. The … What happened to the work after that first performance is an interesting story. Nevertheless, most cellists still use the Fitzenhagen version of the piece. In this article, we aim to re-assess Fitzenhagen’s involvement with the Variations with regard to ‘Texttreue’ – in other words, the performer’s fidelity to the text of a work – and re-evaluate Fitzenhage… Moderato semplice Var. 1. 2. The Variations on a Rococo Theme,[a] Op. Line: 107 Pyotr Ilyich Tchaikovsky’s Variations on a Rococo theme, op. The Variations on a Rococo Theme, Op. Tchaikovsky wrote this piece for Wilhelm Fitzenhagen to play. '"[9], The D minor variation Fitzenhagen mentions is actually the third in Tchaikovsky's original sequence. While the tasteful invention and refined craftsmanship that Tchaikovsky admired in classical-era music is thoroughly in evidence, the structure he intended in his ordering of variations was subverted by the work's dedicatee. Variations on a Rococo Theme, Op.33 - Tchaikovsky: Variations On A Rococo Theme, Op.33, TH.57 - Variazione II: Tempo del Tema MSTISLAV ROSTROPOVICH Berliner Philharmoniker Herbert von Karajan. Part of the difficulty of the piece lies in this continuous and prolonged format, devoid of the usual extended orchestral tuttis allowing the soloist to rest for a few moments. Seller Inventory # BBS-9781974899784. Variations on a Rococo Theme is a piece of music for cello and orchestra composed by Pyotr Ilyich Tchaikovsky. Variations on a Rococo Theme for Cello and Orchestra, op. "[6], Fitzenhagen was proud of the success he had in performing the work,[7] and in a report he wrote Tchaikovsky after playing it at the Wiesbaden Festival in June 1879, he gave a clue as to why he rearranged the order of variations as he did. 4.5 out of 5 stars 11 ratings. All the flourish and flare of Romantic music are present in this delightful arrangement that provides a great introduction to the era. La stilo estis inspirita fare de Mozart, la rolmodelo de Ĉajkovski, kaj igas ĝin malbari ke Ĉajkovski admiris la Classical-stilon tre multe. "[3] Much of the detail in the solo part is his and was actually written by him into Tchaikovsky's autograph. Variations on a Rococo Theme Instrumentation. The piece was written between December 1876 and March 1877, immediately following his tone poem Francesca da Rimini, and compared to the vehemence and intensity of Francesca, the Variations show a new elegant classical detachment. Tchaikovsky varied this extension in length and direction, further modifying the proportions of individual variations and providing a bridge passage from one variation to the next. Var. Details & FREE Returns Return this item for free. Comp. The second variation is a conversation between cello and orchestra. However, most cellists still prefer to play Fitzhagen’s version. Message: Undefined variable: user_membership, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. Composition. More information about this seller | Contact this seller 7. "[3], Tchaikovsky had in fact asked Fitzenhagen to go through the Variations—something about which the composer apparently neglected to inform his publisher, P. I. Jurgenson. 33 (original Tchaikovsky version) parts: 1. In 2010, Maxim Rysanov played the Variations on a Rococo Theme in his transcription for viola in a London Promenade Concert. ''Variations on a Rococo Theme Op. Function: _error_handler, Message: Invalid argument supplied for foreach(), File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Free returns are available for the shipping address you chose. We hear the theme in triplets. Thanks to his consummate craftsmanship, Tchaikovsky avoided this trap. Other Titles: Variations sur un thème rococo: Responsibility: Tchaikovsky. Var. Andante & Var. It is like the ones from the time of Mozart. 5 in Tchaikovsky's original order). The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. 33: Tema. Fitzenhagen may have thought it more effective later in the piece because of its ability to draw applause. [11] A large part of the problem was that, while the Russian complete edition of Tchaikovsky's complete works included the original version of the Variations, the State Publishing House issued neither the orchestral parts nor a piano reduction for study purposes.[12]. [8] "I produced a furore with your variations. It is called "Rococo" because the music is based on the style that was popular in the late 18th century, the period during the Classical period known as Rococo, the time of composers such as Mozart.